HAMAS CHARTER
"The Day of Judgement will not come about until Muslims fight the Jews (killing the Jews), when the Jew will hide behind stones and trees. The stones and trees will say O Muslims, O Abdulla, there is a Jew behind me, come and kill him. Only the Gharkad tree, would not do that because it is one of the trees of the Jews." (related by al-Bukhari and Muslim).
"The Day of Judgement will not come about until Muslims fight the Jews (killing the Jews), when the Jew will hide behind stones and trees. The stones and trees will say O Muslims, O Abdulla, there is a Jew behind me, come and kill him. Only the Gharkad tree, would not do that because it is one of the trees of the Jews." (related by al-Bukhari and Muslim).
'Wildpeace' by Yehuda Amichai
Not the peace of a cease-fire,
not even the vision of the wolf and the lamb, but rather
as in the heart when the excitement is over and you can talk only about a great weariness.
I know that I know how to kill, that makes me an adult.
Not the peace of a cease-fire,
not even the vision of the wolf and the lamb, but rather
as in the heart when the excitement is over and you can talk only about a great weariness.
I know that I know how to kill, that makes me an adult.
Israel’s premise and promise was and remains: NEVER AGAIN!
The world is in transition… no one knows to where…
Max Tzinman’s images question where we are and where we are going. He looks at the disconnect between what is actually happening and the myth making all around us.
How do we confront reality and yet continue to find purpose in these times? How do we avoid the hollowness of a life spent sleepwalking? Can we hold on to our individual humanity in the face of this drift towards conformity and anonymity?
His work process: start digitally, in two or three dimensions/dioramas, adding layers of mixed media (acrylic, oil, collage, metal) to create still structures and moving images, light and sound.
His background: Max Tzinman has been hearing impaired since he was born. He grew up in Communist Romania, as the child of Holocaust survivors. As a mature person, he has lived in Israel, Canada and US, immersing himself in a multitude of cultures that influenced his artistic/philosophical concepts.
Max Tzinman’s images question where we are and where we are going. He looks at the disconnect between what is actually happening and the myth making all around us.
How do we confront reality and yet continue to find purpose in these times? How do we avoid the hollowness of a life spent sleepwalking? Can we hold on to our individual humanity in the face of this drift towards conformity and anonymity?
His work process: start digitally, in two or three dimensions/dioramas, adding layers of mixed media (acrylic, oil, collage, metal) to create still structures and moving images, light and sound.
His background: Max Tzinman has been hearing impaired since he was born. He grew up in Communist Romania, as the child of Holocaust survivors. As a mature person, he has lived in Israel, Canada and US, immersing himself in a multitude of cultures that influenced his artistic/philosophical concepts.
Book Sale:
The Longest Day
The Longest Day